
I have a half finished post entitled “Useful Talents”. I was trying to make a sub-thee-thousand word analogical/satirical story about someone stealing cars and how her family never knew what she did at night. All the signs were there, but the family refused to believe that she was capable of such heinous acts, until it happened to one of them. After reading the longer, unedited version of the story I came to realise that the father, who is also the narrator, had deep problems as well. They never had a clear understanding of each others role’s and how their roles impacted everyone else in the family. Personally very insecure, the thief, who is the step daughter, is driven to stealing cars because her role (in the family) is never validated through communication, which she craves, with her Father. Or so I planned in the first draft. Then the father feels violated because it is his car that gets stolen, and I came up with this low self-esteem complex in the Father but it didn’t work, because I define the son the same way earlier in the plot. Then the characters interactions became too complex and I was comparing the son to myself, and all of the sudden the story lost focus. I failed to write the characters according to their original definitions. (Which isn’t to say people can’t change, but this is a very short story.) My story has no scheme, and it is more of a philosophical, err, or psychological exploration of this family and their twisted relationships. Any suggestions?
…and as I’m typing this I see that I have switched verb tenses many times, which is poor grammar. I’m going to publish it anyway. Everyone who reads this can hope for something better structured tomorrow or the next day. I’ve got an eight hour ride to put something together in my head.